light as well as sticking

Dear fellows

it might be better to validate the fine tuning of the sticking by the use of
adequate competencies after analyzing the light;
We may also notice that, you should look at this piece of information
1. Using line drawing to
organise the position, shape and proportion of the features.
This movement
builds a strong visual link between the head and shoulders.
Such an
approach was used to build our pencil portrait above.
However, when you
draw a portrait from life, a more accurate approach to drawing is needed.

You begin a portrait with the eyes as they are the main focal point.
The
size and position of the other features are directly related to the scale and
placement of the eyes.
Note that these measurements should be similar.

Note that these measurements should be similar.
At this stage, the drawing
is no more than a set of carefully measured features that establish the final
proportions of the portrait.
3. Using larger areas of tone to unite all
the elements of the portrait.
Note that these measurements should be
similar.
At this stage, the drawing is no more than a set of carefully
measured features that establish the final proportions of the portrait.

They are also a good reference if you feel that you are making major errors
in your portraits.
1. Using line drawing to organise the position, shape
and proportion of the features.
;
how did you proceed with the light remote monitoring or the sticking flow control?

Prior to the debate about the light , you could get some info at http://www.redraggallery.co.uk
:-)